ENG
Dwelling in a Buddha's form,
With wings to ride the wind's storm.
An iron heart, through toil it sings,
A golden shell, in splendor it springs.
Years ago, in mountains remote, there was a small temple built by the local villagers. The temple was unattended, housing only a black statue, with dried lamps and an empty censer.
One day, a wandering swordsman passed by and decided to spend the night in the temple before continuing his journey. As he was drifting off to sleep, he suddenly heard the sound of wind behind him. Opening his eyes slightly, he saw the statue on the altar sprout wings and take flight. The creature had scythe-like claws on its feet. Terrified, the swordsman quickly rolled over, drew his sword, and engaged in a fierce battle with the statue, eventually slaying it.
The next morning, the villagers gathered outside the temple, bringing flowers and wine to thank the swordsman for ridding them of the yaoguai. They explained that many such temples in the mountains were inhabited by these yaoguai disguised as statues and asked the swordsman to eliminate them all. Seeing the villagers had brought a great deal of silver, greed overtook him, and he agreed, asking them to lead the way.
Surrounded by the villagers, who praised and urged him on, the swordsman was led deep into the forest to a larger ancient temple. As soon as he entered the hall, he saw incense burning high and candles glowing brightly. On the altar sat a larger statue, similar in appearance to the one he had killed before, but coated in gold, with a particularly majestic and imposing presence. Sensing danger, the swordsman tried to flee, but the statue took flight, flapping its wings to unleash a frosty wind that froze him in place.
Watching the golden statue used its hooked claws to pierce the swordsman's shoulders and drag him into the back of the temple, the villagers all knelt and made their wishes. The next day, everything they had wished for appeared at their doorsteps.
This story takes place at remote mountain temples that the villagers built but did not guard. One small temple had only a black statue on the altar, with dried lamps and an empty censer. The statues look like Buddhas but are not ordinary idols: they can sprout wings, have hooked, scythe-like claws, and a metallic, even golden appearance when powerful.
A wandering swordsman spent the night in that small temple. While he was falling asleep the black statue suddenly came to life, grew wings, and attacked. He fought it, drew his sword, and managed to kill that first statue.
The next morning the villagers arrived with flowers, wine, and a lot of silver. They thanked him for killing the “yaoguai” and said many mountain temples were inhabited by similar creatures disguised as statues. They asked him to go on and clear them all out. The swordsman, tempted by the silver the villagers brought, agreed and let them lead him deeper into the forest.
They brought him to a larger, older temple where incense burned and candles glowed. On the altar sat a much bigger statue, gilded in gold and more imposing. When the swordsman tried to run, that golden statue flew, sent a freezing wind that stopped him, then used its hooked claws to pierce his shoulders and drag him into the back of the temple. The villagers knelt and made their wishes as this happened.
The next day everything the villagers had wished for appeared at their doorstep. The clear implication is that these living statues grant boons after a sacrifice, and the villagers used the swordsman—whose greed drew him in—as the price. The story shows the temples are dangerous, the statues are alive and powerful, and the villagers were willing to exploit a stranger to get what they wanted.